Shot lists

Program: Final Cut Pro 7

Date:22^nd February 2012

Director: Jamie Roper

Camera Person:Tom Hodgson

Chief Editor: Matt Denham

Location: Havering college

Shot #	Description
1:	A high angle shot establishes Jade’s location of her on her way home, the high angle shot could show the weakness of the character and label her as the protagonist.
2:	Cross-cut is used to cut the scene from Jade walking home to the mugging scene where two men are involved (Victor Clarke and John Eastmond).
3:	A two-shot is used which shows the two men approaching eachother.
4:	Shot reverse shot is then used showing the conversation/argument with short amounts of dialogue.
5:	A cross cut is then used again where we see Jade walking towards the alley where the two men are.
6:	A match-on Action is used to cut the movement of Jade walking around the corner into the alley.
7:	Close up is used to show a scared expression on Jades face as she looks down the alley.
8:	Eye-line match is used to show what Jades looking at which shows Victor stabbing John.
9:	A shot-reverse shot is used to show Victor Spotting Jade witnessing the stabbing with worried expressions on both faces.
10:	A match- action is used to show Jade running back around the corner of the alley and shows Victor chasing her.
11:	A jump cut is then used to cut some of Victor chasing Jade where Jade is heading back towards her college
12:	The chase continues into a two-shot of Victor chasing Jade in towards a building with very fast paced tense music.
13:	A sound bridge is used to continue the chase as Jade runs in the building towards a classroom not looking back.
14:	A cross cut is used to cut back to Victor as he walks sneakily around the outskirts of the building that Jade ran into hoping to find movement.
15:	A close-up is used on Jade as she hides in the corner of the room showing a very terrified expression her face.
16:	A two-shot is used which shows Jade still waiting in the corner and Victor looking through the window.
17:	A match on action is used to show Victor running round the corner of the building creating suspense for the audience.
18:	A match on action is used again where Jade runs out the room looking for Victor striding left to see if he’s there.
19:	A shot reverse shot is used to show Jade’s petrified facial expression and reversing too Victor’s vicious body language.
20:	A medium close up is used to show the impact of the axe towards Jade.
21:	A pan is used to follow the character’s movements outside of the buidling as he is alarmed by a mysterious noise.
22.	An eyeline match is finally used when Victor looks towards the window to notice the man witnessing the murder. As their eyes meet fear is potrayed through the worry in the characters eyes.

Our shot list shows all the specific camera shots for our opening sequence of Hostility. There is a variety of different shots used to show emotion and other shots to show who the protagonist is and the antagonist.

 Below are pictures and explanations of all different types of shots:

ECU - Extreme Closeup:

The extreme close up is used to reveal very small details in the scene. It might be used to reveal horror in a subject (extreme close up of the subject's mouth as she/he screams). It might also be used in a mystery to show some detail that the detective picks up on or to show some small clue.   MS - Medium Shot: The medium shot is from just below the waist to above the head. There is more headroom than in the bust shot. This show is used if the person is animated with their hand movements, etc.   LS - Long Shot: This shot is useful for someone that is walking or moving. ELS - Extra Long Shot: Also known as the Establish shot, this gives the viewer some perspective as to where the subject is. This is very important if the subject is moving to new locations or times. It lets the viewer know where the video is taking place. Two Shot: Two-shots are composed when two people are in the scene and their interaction is important. A two-shot is a good way to introduce a conversation. From the introduction you might cut to an over the shoulder shot of one person talking or a close-up of the other person reacting to what is being said. Over-the-shoulder shot:    The over the shoulder shot reveals one subject as seen from over the shoulder of another subject. It simulates a view of the subject as seen from the second person's eyes. This shot is often used in conversations between two people where the director wants to focus on the person speaking. Usually these shots are head shots (close ups of the speaker). CU - Close Up: The close up shot is used to reveal detail. If you are shooting just the head and shoulders of a subject this is a close up.

Other links:

Tips on shot lists: http://www.youtube.com/watch?v=V9JJFaAI6Fo

Another layout for a shot list: http://portals.studentnet.edu.au/literacy/minisites/sceggsdarlinghurstrevised/preproduction/shotlist.htm